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In my opinion, this song makes the album. I bought this album because I am in the process of completing my collection (i'm not looking forward to We're In this Together), and i was completely blown away by the remake of Get Down, Make Love.
Great track just a bit different than your used to. Not like normal NIN sound.
Besides, if you bought it, well. But if you must buy a single from this era, I must direct you to "Head Like a Hole". This song is the only thing that most people usually mention on the single, too. you bought it and it's there for something. It's nice to think of "Sin" as a dub song. Let's face it, fans of the artist: While NIN has a lot of worthy material, the "Pretty Hate Machine" singles were only made for completists.
It's a pretty good cover of Queen that does not try to ape Queen. "The Downward Spiral" era was the only real time when the singles were worth owning, save the occasional exception. Where others sometimes had authentic B-sides/covers, and actual interesting remixes, this was from a time when "interesting" and "remix" were an oxymoron.I'm not a big fan of remixes, and I'll admit that the majority of the rest of the disc is very average, especially coming from NIN. I am not a purist who hates this song being turned into a dance song, as I think it could have been worse. And having just 4 tracks cannot be too bad. "Get Down Make Love" raises the thing up a star.
There are also three uninteresting remixes of "Sin", but I sort of like that "dub" mix.
Not much to say, three bad-ass mixes of "sin" plus a cover of some.Also if u dont already, PHM , DWN SPRL , FRGL , BRKN ,.
The three mixes as a whole are totally unengaging and can be skipped.But "Get Down Make Love" though, this is the great missing early Nine Inch Nails piece, produced by Al Jourgenson, Reznor takes a fantastic Queen song and restructures it into his own vision, staying true to the original but at the same time fully claiming it as his own. This is a tough single for me, as I think virtually every review of this points out-- really, its quite the weakest of the "Pretty Hate Machine" era Nine Inch Nails single, primarily because of how awful the "Sin" remixes are, but in the midst of this is the, "Get Down Make Love".The "Sin" mixes first though, remixed by Adrian Sherwood and Keith LeBlanc, who did a fine job with "Down In It", this song really doesn't match their techno beat restructuring, and in fact the aggression of the song is pretty much swallowed up in a programmed beat and irritating synth effects. If you've got the albums, dig this up for that track alone. The result is tense, exciting, and extremely well done, and really is worth the price of the single.My rating however is on the whole product, and as a whole, there's not much here, but that "Get Down Make Love" take is fantastic. The short version at least has the good sense to be brief, the dub mix carries on for several minutes with samples of "LIES" and "CONTROL" lifted from the song-- essentially five minutes of ok beats and really irritating synths. The long version feels somewhat better but is more or less the short version with part of the dub version spliced in the middle of it.
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